Monday, March 10, 2008

The southern United Kingdom has experienced heavy rains and strong winds, with approximately 10,000 homes now without power. In addition to damage to property, many journeys have been disrupted, as a result of cancelled flights, in addition to closed roads and rail tracks.

The UK Met Office described the current conditions by saying that “the Met Office continues to expect an intense low pressure system to move east across the UK during Monday, bringing severe gales and potentially damaging gusts across some areas, more particularly the west and south of England and Wales. Southerly winds are expected to strengthen during the early hours of Monday to give severe gales for a time, coinciding with the morning rush hour in some areas.”

Thursday, December 1, 2011

Today saw Edinburgh’s Scottish National Portrait Gallery reopen following a two-and-a-half-year, £17.6m (US$27.4m) refurbishment. Conversion of office and storage areas sees 60% more space available for displays, and the world’s first purpose-built portrait space is redefining what a portrait gallery should contain; amongst the displays are photographs of the Scottish landscape—portraits of the country itself.

First opened in 1889, Sir Robert Rowand Anderson’s red sandstone building was gifted to the nation by John Ritchie Findlay, then-owner of The Scotsman newspaper and, a well-known philanthropist. The original cost of construction between 1885 and 1890 is estimated at over 70,000 pounds sterling. Up until 1954, the building also housed the Society of Antiquaries of Scotland who moved to the National Museum of Scotland buildings on Chambers Street. The society’s original meeting table now sits in the public part of the portrait gallery’s library, stared down on by an array of busts and phrenological artefacts.

Wikinewsie Brian McNeil, with other members of the press, received a guided tour of the gallery last Monday from Deputy Director Nicola Kalinsky. What Kalinsky described as an introduction to the gallery that previously took around 40 minutes, now takes in excess of an hour-and-a-half; with little in the way of questions asked, a more inquisitive tour group could readily take well over two hours to be guided round the seventeen exhibitions currently housed in the gallery.

A substantial amount of the 60% additional exhibition space is readily apparent on the ground floor. On your left as you enter the gallery is the newly-fitted giant glass elevator, and the “Hot Scots” photographic portrait gallery. This exhibit is intended to show well-known Scottish faces, and will change over time as people fall out of favour, and others take their place. A substantial number of the people now being highlighted are current, and recent, cast members from the BBC’s Doctor Who series.

The new elevator (left) is the most visible change to improve disabled access to the gallery. Prior to the renovation work, access was only ‘on request’ through staff using a wooden ramp to allow wheelchair access. The entire Queen Street front of the building is reworked with sloping access in addition to the original steps. Whilst a lift was previously available within the gallery, it was only large enough for two people; when used for a wheelchair, it was so cramped that any disabled person’s helper had to go up or down separately from them.

The gallery expects that the renovation work will see visitor numbers double from before the 2009 closure to around 300,000 each year. As with many of Edinburgh’s museums and galleries, access is free to the public.

The expected significant increase in numbers has seen them working closely with the National Museum of Scotland, which was itself reopened earlier this year after extensive refurbishment work; improved access for wheelchair users also makes it far easier for mothers with baby buggies to access the gallery – prompting more thought on issues as seemingly small as nappy-changing – as Patricia Convery, the gallery’s Head of Press, told Wikinews, a great deal of thought went into the practicalities of increased visitor numbers, and what is needed to ensure as many visitors as possible have a good experience at the gallery.

Press access to the gallery on Monday was from around 11:30am, with refreshments and an opportunity to catch some of the staff in the Grand Hall before a brief welcoming introduction to the refurbished gallery given by John Leighton, director of the National Galleries of Scotland. Centre-stage in the Grand Hall is a statue of Robert Burns built with funds raised from around the British Empire and intended for his memorial situated on Edinburgh’s Calton Hill.

The ambulatories surrounding the Grand Hall give the space a cathedral-like feel, with numerous busts – predominantly of Scottish figures – looking in on the tiled floor. The east corner holds a plaque commemorating the gallery’s reopening, next to a far more ornate memorial to John Ritchie Findlay, who not only funded and commissioned the building’s construction, but masterminded all aspects of the then-new home for the national collection.

Split into two groups, members of the press toured with gallery Director James Holloway, and Nicola Kalinsky, Deputy Director. Wikinews’ McNeil joined Kalinsky’s group, first visiting The Contemporary Scotland Gallery. This ground-floor gallery currently houses two exhibits, first being the Hot Scots display of photographic portraits of well-known Scottish figures from film, television, and music. Centre-stage in this exhibit is the newly-acquired Albert Watson portrait of Sir Sean Connery. James McAvoy, Armando Iannucci, playwright John Byrne, and Dr Who actress Karen Gillan also feature in the 18-photograph display.

The second exhibit in the Contemporary gallery, flanked by the new educational facilities, is the Missing exhibit. This is a video installation by Graham Fagen, and deals with the issue of missing persons. The installation was first shown during the National Theatre of Scotland’s staging of Andrew O’Hagan’s play, The Missing. Amongst the images displayed in Fagen’s video exhibit are clips from the deprived Sighthill and Wester-Hailes areas of Edinburgh, including footage of empty play-areas and footbridges across larger roads that sub-divide the areas.

With the only other facilities on the ground floor being the education suite, reception/information desk, cafe and the gallery’s shop, Wikinews’ McNeil proceeded with the rest of Kalinsky’s tour group to the top floor of the gallery, all easily fitting into the large glass hydraulic elevator.

The top (2nd) floor of the building is now divided into ten galleries, with the larger spaces having had lowered, false ceilings removed, and adjustable ceiling blinds installed to allow a degree of control over the amount of natural light let in. The architects and building contractors responsible for the renovation work were required, for one side of the building, to recreate previously-removed skylights by duplicating those they refurbished on the other. Kalinsky, at one point, highlighted a constructed-from-scratch new sandstone door frame; indistinguishable from the building’s original fittings, she remarked that the building workers had taken “a real interest” in the vision for the gallery.

The tour group were first shown the Citizens of the World gallery, currently hosting an 18th century Enlightenment-themed display which focuses on the works of David Hume and Allan Ramsay. Alongside the most significant 18th century items from the National Portrait Gallery’s collection, are some of the 133 new loans for the opening displays. For previous visitors to the gallery, one other notable change is underfoot; previously carpeted, the original parquet floors of the museum have been polished and varnished, and there is little to indicate it is over 120 years since the flooring was originally laid.

Throughout many of the upper-floor displays, the gallery has placed more light-sensitive works in wall-mounted cabinets and pull-out drawers. Akin to rummaging through the drawers and cupboards of a strange house, a wealth of items – many previously never displayed – are now accessible by the public. Commenting on the larger, featured oils, Deputy Director Kalinsky stressed that centuries-old portraits displayed in the naturally-lit upper exhibitions had not been restored for the opening; focus groups touring the gallery during the renovation had queried this, and the visibly bright colours are actually the consequence of displaying the works in natural light, not costly and risky restoration of the paintings.

There are four other large galleries on the top floor. Reformation to Revolution is an exhibition covering the transition from an absolute Catholic monarchy through to the 1688 revolution. Items on-display include some of the Scottish National Portrait Gallery’s most famous items – including Mary Queen of Scots and The Execution of Charles I. The portrait-based depiction of this historical age is complemented with prints, medals, and miniatures from the period.

Imagining Power is a Jacobite-themed exhibition, one which looks at the sometime-romanticised Stuart dynasty. The Gallery owns the most extensive collection of such material in the world; the portraiture that includes Flora MacDonald and Prince Charles Edward Stuart is complemented by glassware from the period which is on-loan from the Drambuie Liqueur Company which Kalinsky remarked upon as the only way Scots from the period could celebrate the deposed monarchy – toasting The King over the Water in appropriately engraved glasses.

On the other side of the upper floor, the two main naturally-lit exhibitions are The Age of Improvement, and Playing for Scotland. The first of these looks at societal changes through the 18th and 19th centuries, including Nasmyth’s 1787 portrait of the young Robert Burns and – well-known to past visitors to the portrait gallery – Raeburn’s 1822 depiction of Sir Walter Scott. These are complemented with some of the National Gallery’s collection of landscapes and earliest scenes from Scottish industry.

Playing for Scotland takes a look at the development of modern sports in the 19th century; migration from countryside to cities dramatically increased participation in sporting activities, and standardised rules were laid down for many modern sports. This exhibition covers Scotland’s four national sports – curling, shinty, golf, and bowls – and includes some interesting photographic images, such as those of early strong-men, which show how more leisure time increased people’s involvement in sporting activities.

Next to the Reformation to Revolution gallery is A Survey of Scotland. Largely composed of works on-loan from the National Library of Scotland, this showcase of John Slezer’s work which led to the 1693 publication of Theatrum Scotiae also includes some of the important early landscape paintings in the national collection.

The work of Scotland’s first portrait painter, the Aberdeen-born George Jamesone, takes up the other of the smaller exhibits on the east side of the refurbished building. As the first-ever dedicated display of Jamesone’s work, his imaginary heroic portraits of Robert the Bruce and Sir William Wallace are included.

On the west side of the building, the two smaller galleries currently house the Close Encounters and Out of the Shadow exhibits. Close Encounters is an extensive collection of the Glasgow slums photographic work of Thomas Annan. Few people are visible in the black and white images of the slums, making what were squalid conditions appear more romantic than the actual conditions of living in them.

The Out of the Shadow exhibit takes a look at the role of women in 19th century Scotland, showing them moving forward and becoming more recognisable individuals. The exceptions to the rules of the time, known for their work as writers and artists, as-opposed to the perceived role of primary duties as wives and mothers, are showcased. Previously constrained to the domestic sphere and only featuring in portraits alongside men, those on-display are some of the people who laid the groundwork for the Suffrage movement.

The first floor of the newly-reopened building has four exhibits on one side, with the library and photographic gallery on the other. The wood-lined library was moved, in its entirety, from elsewhere in the building and is divided into two parts. In the main public part, the original table from the Society of Antiquaries sits centred and surrounded by glass-fronted cabinets of reference books. Visible, but closed to public access, is the research area. Apart from a slight smell of wood glue, there was little to indicate to the tour group that the entire room had been moved from elsewhere in the building.

The War at Sea exhibit, a collaboration with the Imperial War Museum, showcases the work of official war artist John Lavery. His paintings are on-display, complemented by photographs of the women who worked in British factories throughout the First World War. Just visible from the windows of this gallery is the Firth of Forth where much of the naval action in the war took place. Situated in the corner of the room is a remote-controlled ‘periscope’ which allows visitors a clearer view of the Forth as-seen from the roof of the building.

Sir Patrick Geddes, best-known for his work on urban planning, is cited as one of the key influencers of the Scottish Renaissance Movement which serves as a starting point for The Modern Scot exhibit. A new look at the visual aspects of the movement, and a renewal of Scottish Nationalist culture that began between the two World Wars, continuing into the late 20th century, sees works by William McCance, William Johnstone, and notable modernists on display.

Migration Stories is a mainly photographic exhibit, prominently featuring family portraits from the country’s 30,000-strong Pakistani community, and exploring migration into and out of Scotland. The gallery’s intent is to change the exhibit over time, taking a look at a range of aspects of Scottish identity and the influence on that from migration. In addition to the striking portraits of notable Scots-Pakistani family groups, Fragments of Love – by Pakistani-born filmmaker Sana Bilgrami – and Isabella T. McNair’s visual narration of a Scottish teacher in Lahore are currently on-display.

The adjacent Pioneers of Science exhibit has Ken Currie’s 2002 Three Oncologists as its most dramatic item. Focussing on Scotland’s reputation as a centre of scientific innovation, the model for James Clerk Maxwell’s statue in the city’s George Street sits alongside photographs from the Roslin Institute and a death mask of Dolly the sheep. Deputy Director Kalinsky, commented that Dolly had been an incredibly spoilt animal, often given sweets, and this was evident from her teeth when the death mask was taken.

Now open daily from 10am to 5pm, and with more of their collection visible than ever before, the Scottish National Portrait Gallery will change some of the smaller current exhibits after 12 to 18 months on display. The ground-floor information desk has available five mini-guides, or ‘trails’, which are thematic guides to specific display items. These are: The Secret Nature trail, The Catwalk Collection trail, The Situations Vacant trail, The Best Wee Nation & The World trail, and The Fur Coat an’ Nae Knickers Trail.

Tuesday, December 21, 2004

Tampa, Florida —Frank Ford, an honorably discharged U.S. veteran sergeant who works as a California state prison guard has reported witnessing torture in Iraq and the cover-upactivities of his commanding officers: December 8, 2004, Veteran sergeant accounts US torture coverup. Ford says he was hustled out of Iraq for psychological evaluations at military hospitals in Germany and USA as part of an Army cover-up strategy. David DeBatto, who wrote the original article about Frank Ford states that every doctor that evaluated Ford found him to be completely normal, with absolutely no psychological or mental health issues. However according to VeriSEAL, which claims to provide independent and no-cost verification of Special Operations Forces personnel backgrounds, the cover-up accusations are being made by a fake SEAL member.

Ford has already made several unsubstantiated claims including being a member of President Nixon’s security detail, a medical doctor, a nobleman with a castle in Europe, a Navy SEAL and knowing the exact location of Saddam Hussein and Ali Hassan al-Majid known as “Chemical Ali”. Also Ford has said he has saved the life of a soldier in Iraq, but according to the sources familiar with the incident—doctors and other witness—his claims were exaggerated and he did nothing more than hold the wounded soldier’s IV bag. The name of Ford is listed at the Identified SEAL Impostors page from VeriSEAL.

When inquired about some of the Ford’s exaggerated stories, David DeBatto said:Ford IS an inveterate braggart. This is beyond question as far as I am concerned. However, although that trait may make him unpopular with some, it does not make him a liar. Some people seem to have a hard time separating the two.

According to Ford he attended a discontinued BUD/S program for Navy corpsmen during 1980’s as a doctor assigned to a Navy SEAL team. However Navy records do not list Ford among the program graduates. About this DeBatto said: he called himself “Doc” when I met him too at Fort Bragg in February 2003. However, I asked him right away if he was an MD or PhD. and he told me no, he was just a medic, but he has always been referred to as “Doc” since becoming a Navy medic over 30 years ago. It just kind of stuck he said. He also said he was in some kind of medical school or internship, which, upon later research, turned out to be true. It ain’t Harvard, but it is a legitimate medical school. Actually Frank Ford is a “Doctor of Naturopathy” by the Clayton School of Natural Healing in Alabama.

According to Col. C. Tsai, a military psychiatrist who examined Ford at the Army Regional Medical Center in Landstuhl, Germany, Tsai had found nothing at all unstable about Ford.” Tsai was also interviewed by Speigel Television in Germany on this issue. According to Capitain Vic Artiga, Ford’s company commander, who Ford implicates, he was evacuated for “combat stress” behavioal problems.

In a interview to Los Angeles Times reporter, Lt. Col. Timothy J. Ryan, Ford’s commander, said: all allegations of prisoner abuse in Samarra were investigated immediately and no wrongdoing was ever found. Lt. Col. Timothy J. Ryan is also implicated by Ford’s testimony.

Ford said that Artiga accused him of being “delusional” and gave him “30 seconds to retract or face psychiatric referral”. Artiga, who is a police officer in Redwood City as civilian, denied Ford claims:That’s just laughable. In my years as a policeman, I’ve done hundreds of investigations. I can tell yoou that the investigation we did was as thorough as they come.

According to Sergeant First Class Michael Marciello, an alleged witness, when Captain Vic Artiga saw an initial psychiatrist’s report, Artiga was, “livid”. He “stormed” back to the psychiatrist and “browbeat” her to change her report to read that Ford was mentally unstable, and ordered her to have Ford shipped out of the country. Ford was later strapped to a medical gurney and medvac’d out of Iraq. He was initially sent to Kuwait and eventually to Landstuhl, Germany. Ford then underwent psychological evaluation in Germany and also two bases in the United States for approximately 8 months.

The Ford accusation was reported by David DeBatto and the article can be seen at Salon News. The case is under investigation.

Thursday, September 20, 2007

The U.S. economy and its currency as an instrument of world trade has suffered a series of major setbacks in recent months. Some analysts say that the Federal Reserve‘s September 18^th dramatic rate cut to 4.75% from 5.25% may be a case of “too little, too late”, or that it was excessive and dooms the dollar.

Today, Saudi officials declined to cut interest rates in lockstep with the US Federal Reserve for the first time in decades. According to Ambrose Evans-Pritchard, International Business Editor for The Daily Telegraph, “it’s a signal that the oil-rich Gulf kingdom is preparing to break the dollar currency peg in a move that risks setting off a stampede out of the dollar across the Middle East.”

Hans Redeker, the Currency Chief at BNP Paribas, also stated today that Saudi Arabia’s move to not adjust their own interest rates in sync with the Fed’s cuts is a very dangerous situation for the US dollar. Redeker points out that “Saudi Arabia has $800bn (£400bn) in their future generation fund, and the entire region has $3,500bn under management. They face an inflationary threat and do not want to import an interest rate policy set for the recessionary conditions in the United States.”

Saudi central bank officials said that “appropriate measures” would be taken to stop the large capital inflows into the country. The Federal Reserve’s half-point rate cut has already caused a plunge in the world dollar index to a fifteen-year low, reaching the weakest level ever against the Euro at just under $1.40.

The Fed hopes that by making it cheaper to borrow, people will start spending and investing more. However, some analysts fear the cut will worsen inflation, making it harder to get personal loans, and further decrease confidence in the dollar around the world. There are already signs that global investors have started rejecting U.S. Treasury securities, and recent U.S. government data on foreign holdings show a decline in purchases of US securities from $97bn to just $19bn in July.

In response to Ben Bernanke‘s statements today about a potential mortgage and housing market crisis, CNN anchor Wolf Blitzer said, “If adjustable mortgage rates go up, people may not be able to afford their mortgage payments.” Former Federal Reserve chief Alan Greenspan said earlier this week that housing prices may fall by “double digits” as the subprime crisis bites harder, prompting households to cut back sharply on spending.

Jim Rogers, the economic commentator and former partner of George Soros, stated, “If Ben Bernanke starts running those printing presses even faster than he’s already doing, we are going to have a serious recession. The dollar’s going to collapse, the bond market’s going to collapse. There’s going to be a lot of problems.”

In recent months, the U.S. dollar has taken several other significant hits including Kuwait’s decision in May to also break its dollar peg, and threats by China to interfere with the U.S. economy, calling it their nation’s “nuclear option”. According to public sources, the Chinese government has begun a concerted campaign of economic threats against the United States, hinting that it may liquidate its vast holding of US treasuries if Washington imposes trade sanctions that seek to force a Yuan revaluation.

Wednesday, December 4, 2013

A study published this month in Journal of Primary Health Care by researchers at the School of Population Health, University of Auckland found a correlation between adolescent obesity amongst Pacific Islanders (PI) living in New Zealand and church attendance. The results were based on interviews with 2,495 Auckland teenagers attending six different secondary schools, questionnaires given to students, and anthropometric measurements such as body mass index.

While the percentage of non-churchgoing overweight — as opposed to normal or obese — adolescents was the same as churchgoing for Samoans and Cook Island Maori, 1% higher for “other PI” and 7% higher for Tongans, the rate of obese churchgoing adolescents was higher across all groups. Samoan churchgoing teens had an obese percentage of 38% compared to 35% for their non-churchgoing peers. For Cook Island Maori, it was 29% compared to 23%; for Tongans, 37% to 29%; for other PI, 31% to 29%.

The study sought to examine different factors between churchgoing and non-churchgoing populations, finding that Samoan and Tongan churchgoers were more likely than non-churchgoers to have watched four or more hours of television or DVDs on the previous Saturday night. On the last Sunday night, non-churchgoers were more likely to have watched four or more hours across all groups, but the total percentages for churchgoers increased compared to Saturday; particularly, while only 13% of Cook Island Maori and other PI watched four or more hours on Saturday, 30% watched four or more hours on Sunday.

Researchers also found that across all PI groups, non-churchgoing teens were more likely to have less than one serving of fruit a day and were a bit more likely to not eat lunch. With the exception of other PI, non-churchgoing teens were also more likely to rarely eat pies, fast food, and fried food compared to their churchgoing peers. Samoan churchgoers were also statistically more likely to consume soft drinks than their non-churchgoing peers.

The work by Ofa A. Dewes, Robert Scragg, and C. Raina Elley built on existing research regarding obesity in PI communities, and other global studies that have found higher rates of obesity in churchgoing populations. They claim their research in this area is important because as an ethnic group, PI had the highest rates of childhood and adult obesity.